Repertoire / Tutti
Composer | Work | ||
| John Adams | Short Ride in a Fast Machine (1986) arranged for ensemble by Andrew Digby | ||
| Allen Andersen | Music for Hans Richter's "Filmstudie" (2012) for ensemble | ||
| Noriko Baba | Pseudoscope III (2006) for ensemble | ||
| Johann Sebastian Bach | Brandenburgisches Konzert Nr.3, 1.Satz arranged for ascolta by Andrew Digby (2009). Music to „Motion Painting" by Oskar Fischinger (1947) | ||
| Johann Sebastian Bach | Ricercare à 6 from the Musical Offering (1747), arranged for ascolta by Andrew Digby (2009) | ||
| Carola Bauckholt | Vormittagsspuk (2008) to the film by Hans Richter (1928) | ||
| Giovanni Bertelli | Autoritratto, in tre passagi (2010) for ensemble | ||
Birke Bertelsmeier | TIC (2017) for bass and ensemble | ||
Pierluigi Billone | ebe und anders (2014) for flugelhorn/trumpet, trombone, e-guitarre, violoncello, piano and two percussionists | ||
| Annesley Black | Humans in motion (2008) for ensemble | ||
| Annesley Black | Moment - Curitiba - Vorspiel (2010) for ensemble | ||
| Annesley Black / Robin Hoffmann | GuruGuru - Doppelrequiem für Steve Jobs und Karlheinz Stockhausen (2013) for ensemble and electronics | ||
| Saskia Bladt | V erschütt erung (2010) for ensemble | ||
| Johannes Brahms | Ungarischer Tanz Nr. 5 arranged for ascolta by Andrew Digby (2004) | ||
| Nikolaus Brass | abgewandt - Musik für Hörende (2006) for ensemble | ||
| Taylor Brook | Tribute (2013) for classical guitar and ensemble | ||
| Ludger Brümmer | Lichtspiel op.II (2007) for Ensemble and live elektronics to the film by Walter Ruttmann (1921) | ||
| Thomas Bruttger | Les sons et les parfums tournent dans l'air du soir (2013/14) for seven players composed interpretation of Claude Debussy's Prélude | ||
| Rick Burckhardt | Calf (2008) for ensemble | ||
| John Cage | Sixteen Dances (1951) for dancers and ensemble | ||
| Remmy Canedo (Musik) / Stefan Heller (Film) | Deformation (2011) | ||
| Elliott Carter | Double Trio (2011) für Trompete, Posaune, Schlagzeug, Klavier, Violine und Violoncello | ||
| Elliott Carter | Luimen (1997) for guitar, mandoline, harp, trumpet, trombone and vibraphone | ||
Faidra Chafta-Douka | breaking the bone (2016) | ||
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| Huihui Cheng (Musik) / Caroline Fugazzi (Film) | Verlangen (2011) | ||
| Sivan Cohen-Elias | LeftOvers - a choreography-of-springs music (2013) for piano, springs-organ, guitars (classical & electric), cello, springs director and LeftOvers machine | ||
| Chaya Czernowin | Sheva (2008) for ensemble | ||
| Andrew Digby | fünf punkte in drei sätzen (2003/05) for ensemble | ||
| Andrew Digby | Chopin Nocturnes Transcriptions (2010) for ensemble | ||
| Andrew Digby | Cardew with accompaniment (2013) for trumpet and ensemble | ||
| Andreas Dohmen | Latah (2009) for trumpet, trombone, piano, electric guitar and two percussionists | ||
| Gerald Eckert | pfadlos die Nacht (2003) for ensemble | ||
| Peter Edwards/ Rob Wannamaker | IM3 (2008) for ensemble | ||
| Marios J. Elia | blackwhite (2003/2012) for violin, guitar, trumpet, trombone and baritone or counter tenor | ||
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Roberto Fausti | Caramelle (2016) | ||
Morton Feldman | Intervals (1961) for bass baritone, trombone, violoncello, vibraphone and three percussionists | ||
| Francesco Filidei | I funerali dell'anarchico Serantini (2006) for six players at tables, conducted | ||
| Alexandra Filonenko | Mute (2009) for counter tenor and ensemble | ||
| Oliver Frick | Lichtspiel I und III (2006) to the film by Walter Ruttmann | ||
| Beat Furrer | Linea dell'orizzonte (2012) for ensemble | ||
| Marta Gentilucci | radix ipsius (2008) for ensemble and elektronics | ||
| Clemens Gadenstätter | les cris des lumières (2013/14) for ensemble und light | ||
| Malte Giesen (Musik) / Sören Hiob (Film) | Instant Composition (2011) | ||
| Malte Giesen | Tu m (2014) for Ensemble | ||
| Raffaele Grimaldi | metamorphic shady diary (2011/12) für trumpet, trombone, electric guitar, percussion, piano and violoncello | ||
| Andrew Hamilton | Phrase (2006) for ensemble | ||
| Hans-Joachim Hespos | prigaschall offene prospektSzene for solo violin and ascolta-ensemble (2007) | ||
| Hans-Joachim Hespos | p s i musical scene for tenor trombone and mobile ascolta-ensemble (2010) | ||
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Hans-Joachim Hespos | s p ó k - tango fluid (2014) for ascolta | ||
Nuria Hierro | Der Rote Faden (2012) for ensemble | ||
| Robin Hoffmann | anstatt dass (2009) for ensemble | ||
| Klaus Huber | Ein Hauch von Unzeit — Plainte sur la perte de la reflexion musicale (1972) for ensemble. Version by Andrew Digby (percussion, trombone, trumpet), Michael Bach (violoncello) and Hubert Steiner (guitar) | ||
| Neele Hülker | Zu spät für das Privatleben (2013/14) for ensemble | ||
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Johannes Kalitzke | Schatten. Eine nächtliche Halluzination (2016) | ||
Gordon Kampe | Moritaten und Sentimentales (2015) for trumpet, trombone, percussion, guitar, violoncello and piano | ||
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Gordon Kampe | Schummellümmelleichen und schrille Tentakel (2017) Operetta for counter tenor and ensemble - with lyrics by Schorsch Kamerun | ||
Georg Katzer | Lesarten der Sinfonia IX (2015) for ensemble | ||
Georg Katzer | Ludus (2008) | ||
Manuela Kerer | Ixidoo (2008) for ensemble | ||
Malika Kishino | Hila-hila to... (2009) | ||
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Malika Kishino | Himmelsleiter (2006) | ||
Malika Kishino | Sensitive Chaos (2010) | ||
Ehsan Khatibi | Cadrage (2016) for ensemble and video | ||
Marina Khorkova | Collision (2015) for ensemble | ||
| Sven-Ingo Koch | Countryside Song (2006) for ensemble | ||
| Sven-Ingo Koch | kreisend quadratisch (2006) to the film „Lichtspiel op. IV" by Walter Ruttmann (1925) | ||
| Sven-Ingo Koch | Barabande (2007) to the restored version of „Lichtspiel op. IV" by Walter Ruttmann (1925) | ||
| Sven-Ingo Koch | nobody knows (2012) for soloistic trumpet and ensemble commission by Tonhalle Düsseldorf | ||
Sven-Ingo Koch | Von der Liebe zur Linie III (2017) for trumpet, trombone, drumset, electric guitar and accordion | ||
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Maxim Kolomiiets | window behind the window (2016) | ||
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Georgia Koumará | dangerous conjectures (2018) for ensemble | ||
Steffen Krebber | Konfusion V (2013) for ensemble | ||
Matthias Krüger | le vide à perdre (2016) for prepared trumpet, prepared trombone, drum set, bass drum, synthesizer, electric guitar, electric cello and live-electronics | ||
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| Mauro Lanza | Vorspiel (2010) for trumpet, trombone, piano, cello and two percussionists | ||
| Gunter Lege | Hikh Fidelity (2004) to the film „Seelische Konstruktionen“ (1927) by Oskar Fischinger | ||
| Meng-Chia Lin | Tulisan II (2010) for ensemble | ||
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Michelle Lou | Opening und Final IM (2008) for ensemble | ||
| Dieter Mack | Ngumbang - Ngisep (2014) for Ensemble | ||
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| Tiziano Manca | nel labirinto (2003) for ensemble | ||
| Elena Mendoza | Fragmentos de teatro imaginario (2009) for ensemble and lighting | ||
| Chris Mercer | Swampoid (2008) | ||
| Catherine Milliken | Filmstudie (2004) to „Filmstudie“ (1926) by Hans Richter | ||
| Eduardo Moguillansky | aide-mémoire (2008) for trumpet, trombone, guitar, cello, accordeon, piano and 2 percussionists | ||
| Eduardo Moguillansky | 121 (2010) for ensemble | ||
| Eduardo Moguillansky | PANORAMA/PHANTOM/PRÄPARAT (2012) for ensemble, adhoc and modified instruments and live electronics | ||
| Nicolas Mondon | I'd prefer to try eternity (2015) for ensemble | ||
| Isabel Mundry | Das Rohe und das Geformte III (2010) for ensemble | ||
Isabel Mundry | Das Rohe und das Geformte III (Version 2016) | ||
| SukJu Na | Under Surface (2013) for Ensemble | ||
| Conlon Nancarrow | Studies for Player Piano arranged for ascolta by Hubert Steiner (2007) | ||
| Conlon Nancarrow | Study 24 for Player Piano arranged for ensemble by Andrew Digby (2013) | ||
| Olga Neuwirth | Spazio Elastico (2005) for ensemble | ||
| Olga Neuwirth | Diagonal Symphony (2006) for ensemble and electronic music, to the film by Viking Eggeling | ||
Chris Newman | Stretcher (2016) | ||
Marko Nikodijevic | ketamin/schwarz (2012) for ensemble and live electronics | ||
Michael Pelzel | Mysterious Anjuna Bell (2016) for ensemble and string orchestra | ||
Younghi Pagh-Paan | Lebensbaum (2014) for ensemble | ||
| Brice Pauset | arbeiten. Musik mit Hebewerk (2013/14) für Ensemble | ||
| Michael Reudenbach | Stück=Werk (2006) for ensemble | ||
| Rolf Riehm | Lenz in Moskau Melodram in 5 Schüben (2010) for ensemble | ||
| Wolfgang Rihm | Bild - eine Chiffre (1984) to the film „Un Chien Andalou" by Luis Buñuel and Salvatore Dalí (1929) | ||
| Manuel Rodriguez | Spuren (2012) for ensemble | ||
| Michel Roth | Die auf sich zurückgreifende Zeit (2004-2005) for singers and ensemble | ||
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Hendrik Rungelrath | Ton und Erde (2016) | ||
Anton Safronow | Lava - Entropia (2008) for ensemble | ||
Arne Sanders | šéru IIa (2015) for trompet, trombone, violoncello, guitar, piano and percussion | ||
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Erik Satie/Andrew Digby | Cinéma (1924/2007) to the film „Entr'acte" by René Clair (1924) | ||
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Fabià Santcovsky | Variaciones en la espera (2016) | ||
| Friedrich Schenker | Lichtspielmusik (2008) to the film „Lichtspiel op.I, Nr.1 and 2" by Walter Ruttmann (1921) | ||
| Iris ter Schiphorst | Un Chien Andalou (2009) to the film by Luis Buñuel and Salvatore Dalí (1929) | ||
| Steffen Schleiermacher | Versteinertes Umkreisen (2009) for ensemble | ||
| Annette Schmucki | arbeiten/verlieren.die wörter (2003) for ensemble | ||
| Annette Schmucki | arbeiten, verlieren - die stimmen (2004-6) for singers and ensemble | ||
| Johannes Schöllhorn | Hero und Leander II (2008) for ensemble | ||
| Cornelius Schwehr | air / double (2003) for ensemble | ||
| Cornelius Schwehr | Vormittagsspuk (2004) to the film "Vormittagsspuk“ (1928) by Hans Richter | ||
| Benjamin Schweitzer | before I sleep (2013/14) for ensemble | ||
Micha Seidenberg |
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| Alexander Sigman | detritus I (2009) for counter tenor, ensemble and video projection | ||
| Martin Smolka | Hats in the Sky (2004) to the film "Vormittagsspuk“ by Hans Richter (1928) | ||
| Martin Smolka | En Tractent (2008) to the film "Entr'acte" von René Clair(1924) | ||
| Martin Smolka | Nocturne (1989) version for ascolta (2010) | ||
| Gerhard Stäbler | LUFTSPIEGELUNGEN - Ein Spiel für Sieben (2008) for ensemble | ||
| Simon Steen-Andersen | Night. Staged Music (2013) for ensemble, live electronics and video projection | ||
| Bernd Thewes | Paraphrasen zu den 7 Sieben des Salzhändlers - for Marcel Duchamp (1992) for trumpet, trombone, cello, electric bass, synthesizer/accordeon and 2 percussionists | ||
| Bernd Thewes | add rythm to rhythm 21 (2006) to the film "rhythm 21" by Hans Richter (1921) | ||
| Bernd Thewes | ...alles weg mit klein explo... (2007) to the film „Rhythmus 23" by Hans Richter (1923) | ||
| Hans Thomalla | Fremd (2004), Musiktheater | ||
| Hans Thomalla | Wonderblock (2013) für Ensemble | ||
| Cobi van Tonder | Coexistenz (2006) for ensemble | ||
| Øyvind Torvund | Forest construction (2012) for ensemble and four-channel-tape | ||
| Ming Tsao | (Un)cover (2008) for ensemble | ||
| Ming Tsao | Plus Minus (2013) for ensemble | ||
| Ming Tsao/Chris Mercer | Arietta (2008) | ||
Eiko Tsukamoto | La suite en écart (2016) | ||
Hans Tutschku | Die Süße unserer traurigen Kindheit (2005) Musiktheater for two sopranos, dancers, ensemble, live-elektronics and video projection | ||
| Jennifer Walshe | meanwhile, back at the ranch (2005) for ensemble and live comic drawings | ||
| Jennifer Walshe | Violetta Mahon's Dream Diaries (1998-2008) for ensemble, tape and video | ||
| Jennifer Walshe | The Church of Frequency & Protein (2010) for soprano, ensemble, tape and video | ||
| Jennifer Walshe/Turf Boon | Community Choir Drawing 1029: “lámh” (2011) for voice, organ, electric guitar, trumpet, trombone, cello and CD | ||
| Caspar Johannes Walter | Wachsexperimente (2004) to the film by Oskar Fischinger (1920-23) | ||
| Rob Wannamaker | Tract (2008) for ensemble | ||
| Kurt Weill | Three Broadway Songs | ||
Michael Wertmüller | beschleunigt (2016) for ensemble und string orchestra | ||
| Christian Wolff | Exercises (1973-88) Realisation by ascolta | ||
| Stefan Wolpe/Andrew Digby | Melische Verbindungen aus Music für Any Instruments (1945-50) for ensemble | ||
| Joanna Wozny | brown, fizzled out (2014) für Ensemble | ||
| Frank Zappa | Synclavier pieces arranged for ascolta by Andrew Digby and Hubert Steiner: I was in a drum Ouverture to Uncle Sam Reagan at bitburg Samba Funk | ||
| Frank Zappa | Jazz-Rock pieces arrangied for ascolta by Hubert Steiner and Andrew Digby: Big Swifty Black Page Black Page Drum Solo Eat that question Marque son's chicken Medley: Let's make the water turn black/Orange county lumber truck/ Theme from lumpy gravy Peaches in Regalia Sinister Footware 2nd movement Sofa | ||
| Frank Zappa | Feeding the monkeys at ma maison synclavier original arranged for ensemble by Andrew Digby (2013) | ||
| Walter Zimmermann | Northwest Passage (1995/96) for clarinet, piccolo trumpet, violin, double bass and two percussionists | ||